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Neelam is the most important character of the story. Monologues always work, cinema history says so. And it’s only after a monologue he mellows and reforms. He doesn’t think twice before arranging his son’s engagement with a rival businessman’s daughter for business prospects. He’s a clandestine flirt, and a shrewd businessman. Given how self-infatuated the actor has always been known for, Kapoor’s casting is both unique and unsurprising. For the characters alone, one should ‘sea’ this film again: Anil Kapoor It’s a complicated task decoding each of them but the central ones deserve a revisit. The film is filled with such conversations, confessions, and confusions that you cannot help but marvel at the characters’ decisions.
#DIL DHADAKNE DO HINDI MOVIE CRACK#
There are moments in the drama that crack you up without being funny. Co-writer Reema Kagti tried to infuse as much mirth into the story as she could. ‘Dil Dhadakne Do’ had six crucial characters and each of them had a conflict of his/her own. Did Zoya Akhtar experience or expect the same? At least the initial reactions around suggest so. Ashutosh Gowariker’s ‘Swades’ did that, which came out after the historic ‘Lagaan’, Farhan Akhtar went through it during ‘Lakshya’ as it released three years after the game-changing ‘Dil Chahta Hai’. A giant cruise suddenly becomes claustrophobic for a dysfunctional family that has multiple idiosyncratic characters.įilmmakers often have to battle the Albatros that hangs around their necks once they deliver a hit, or a classic. If ‘ZNMD’ was about rediscovering your friendship while on a road trip, this is about a family that does the same on a sea. But it’s ‘ Dil Dhadakne Do’ that remains her most interesting work as a filmmaker.
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In her next film, she spiced up the dynamics of three friends in ‘Zindagi Na Milegi Dobara’. In a charming ode to the world of Hindi films, ‘Luck By Chance’, she showed the story of two people from different worlds aiming to succeed in the same world. A lot of filmmakers like to exploit locations, think of Imtiaz Ali immortalising Corsica in ‘Tamasha,’ or Aditya Chopra almost making Europe one of the central characters in ‘Dilwale Dulhania Le Jayenge.’ Zoya Akhtar likes to exploit (and explore) people.